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Wednesday, June 3, 2026

Miami biotech analyst followed into his condo by man who allegedly threw him from 25th floor

 A Miami biotech executive was followed into the skyscraper where he lived by a man who is accused of pushing him off the building’s 25th floor, newly released surveillance video shows. 

Justin Zelin, 35, was seen walking into Miami Beach’s 47-story Akoya Condominium with a bearded man, Corey Hutterli, 37, following on Feb. 12 — three days before his death, NBC6 reported. 

Zelin, who was wearing a casual outfit, threw away some trash in a garbage can before walking up to the entry door in the high-rise condominium’s parking lot, unaware he would fall to his death.

Justin Zelin was seen walking into his condo building just three days before his death.NBC6

Hutterli, who was wearing a bucket hat, was following closely behind, carrying bottles of alcohol.

Just three days later, Harvard graduate Zelin called 911 to report a disturbance. During the call, he ordered Hutterli to leave the apartment, WPLG reported.

Zelin, who had worked as a biotechnology equity research analyst at BTIG since January 2021, reportedly shouted, “Get away from me, Sasha,” using a nickname by which Hutterli was known.  

There was a bust-up and cops said, “During said physical altercation defendant Hutterli caused victim Zelin to perish due to blunt force trauma.”

Zelin’s body hit a path on the ground floor, according to surveillance video recorded eight minutes after the 911 call.

Hutterli’s defense team claimed Zelin “went over the balcony” after an alleged mental episode.

Corey Hutterli faces murder charges after allegedly pushing Zelin off his balcony.NBC6

They claimed Zelin, who was identified as JZ in court documents, screamed at Hutterli in “what can only be described as a complete break with reality.”

“JZ can be heard ranting, claiming that he was killed by a homeless person, and insisting that he is dead.

“During this mental break, JZ ran in and out of the apartment, and then he went over the balcony of his 25th-floor condo and fell to his death.”

But the state of Hutterli’s body suggested something more sinister had happened. He had scratches on his cheek, and a cut on his thumb. 

Zelin fell from the 25th floor of the Akoya Condominium building in Miami Beach.NBC6

He was also in what “appears to be an excited state, according to police.

“What’s going on?” a shoeless Hutterli asked one officer.

“Somebody, he freaked out, attacked me.” 

The cop asked Hutterli if he was alone, to which he replied, “No I don’t know where he is.
“I kept telling him to relax.” 

Hutterli then blurted out, “What is the situation? Did he jump?”

Pals described Zelin as ‘one of the best biotech analysts.’Justin Zelin / Facebook

Cops then searched the apartment – which had items strewn inside – and they found Hutterli’s bucket hat. 

There were blood spatters on the rails, and clumps of Hutterli’s beard hair were also found. 

Blood was also found on Hutterli’s shirt – and they found ketamine in his bag. 

Hutterli was arrested on April 8 and faces a second-degree murder charge, which carries a maximum sentence of life imprisonment.

Cops were able to make an arrest after Zelin’s DNA was discovered on Hutterli’s jacket.

He also faces burglary with assault or battery, possession of a controlled substance, and drug paraphernalia charges.

Tributes, meanwhile, were paid to Zelin following his death.

“Justin was one of the best biotech analysts I have ever worked with,” friend Amit Jolly wrote on Linkedin. 

“His work was rigorous, thoughtful, and deeply coordinated.

“He had a rare ability to see around corners and articulate complex ideas with clarity and conviction. 

“Our field has lost an extraordinary mind, and many of us have lost a trusted voice and friend.”

https://nypost.com/2026/06/03/us-news/miami-biotech-executive-justin-zelin-was-followed-into-his-condo-by-man-who-allegedly-threw-him-from-its-25th-floor/

These Two Things Are Not The Same

  by Steve Watson via Modernity,

Viral images of a grand classical arch and a twisted modernist one reveal the unbridgeable divide between leaders who celebrate America's heritage and those who seem determined to replace it with something cold, crooked, and alien.

The contrast could not be clearer or more deliberate. On one side stands towering marble, golden eagles, and inscriptions evoking "One Nation Under God." On the other, a bent, leaning metal structure that looks like a giant wire hanger or a failed piece of iron work. One lifts the spirit. The other drains it.

These side-by-side images, now racing across platforms, capture two fundamentally opposed ideas of what a presidential legacy should look like and what America itself should feel like.

One draws from the classical traditions that built the great monuments of Washington. The other embraces the brutalist and deconstructivist styles that have produced so many unloved public buildings in recent decades.

The Obama Presidential Center in Chicago, set to open its doors this month, has long been criticized for its looming tower and heavy, fortress-like forms.

It has been described as a "Tower of Doom," an eyesore that clashes with its surroundings and burdens taxpayers while delivering questionable public value.

The 'arch' featured in the viral posts fits perfectly into that pattern: asymmetric, industrial, and devoid of warmth or grandeur.

It is the physical embodiment of a worldview that treats traditional beauty as suspect and replaces it with abstract statements about power and disruption.

In stark opposition, President Trump has advanced plans for a 250-foot classical triumphal arch to mark America's 250th anniversary. Designed in the timeless style of great national monuments, it will feature soaring proportions, eagles, and a golden figure symbolizing victory and the enduring American spirit.

The project sits alongside another classically inspired initiative: a grand new ballroom at the White House that restores elegance and scale to the People's House rather than subtracting from it.

These are not minor aesthetic disagreements. They reflect two different convictions about what a nation owes its citizens visually and culturally.

Classical architecture communicates permanence, order, and aspiration. It says the republic is worth celebrating in stone and gold. Modernist and brutalist experiments often communicate the opposite: transience, alienation, and a deliberate break with the past.

You'd think the classical architecture would be more expensive. Wrong.

Nowhere is the difference between the two visions more visible than in Washington, D.C. itself. In just over a year, the capital has been transformed from a city plagued by graffiti, encampments, and neglected infrastructure into a place where historic monuments gleam again and water flows freely in fountains for the first time in years.

Statues that rioters once tried to topple now stand polished and proud. The Andrew Jackson statue in Lafayette Square, targeted during the 2020 unrest, has been cleaned and restored to its rightful prominence.

Fountains at Columbus Circle, Meridian Hill, Dupont Circle, and the World War II Memorial are operating once more.

The reflecting pool has received a proper deep cleaning and mirror finish, not a superficial coat of paint.

The work is projected to save roughly 16 million gallons of water annually while restoring a landmark to its intended splendor.

Certain media outlets have responded to these tangible improvements by framing them as trivial or even suspicious. Stories have suggested the administration is merely "painting" the reflecting pool or engaging in cosmetic gestures, downplaying the removal of hundreds of graffiti tags, the clearing of encampments, and the return of families to public spaces.

The same voices that once ignored or excused the decay now treat its reversal as somehow controversial.

Progressive aesthetics and governance often treat classical beauty and ordered public spaces as relics of a past that must be overcome. The results are visible in both the Obama Presidential Center's grim forms and in the years of neglect that turned parts of Washington into an open-air exhibit of decline.

Trump's approach rejects that premise. It restores what was broken and builds what will endure.

Two arches. Two visions. One celebrates the American inheritance with stone, light, and proportion. The other offers a twisted metal abstraction that seems to apologize for the very idea of grandeur.

The American people can see the difference with their own eyes. They are choosing beauty, order, and pride over the alternative. The fountains flow again and the monuments stand tall.

And don't even get use started on Obama's statue at his tower of doom...

Alphabet Upsizes Equity Offering to $85 Billion for AI Spending

 


Google parent Alphabet Inc. upsized its equity raise to $84.75 billion from the $80 billion it announced just two days earlier in a bid to help fund growing artificial intelligence spending plans.

The offering includes a $40 billion so-called at-the-market program, which would involve the company selling shares directly into the open market from time to time beginning in the third quarter, as well as a $10 billion deal with Berkshire Hathaway Inc. The remaining portion of the offering includes $18 billion in Class A common stock and Class C capital shares and $16.75 billion in depositary shares.

https://www.bloomberg.com/news/articles/2026-06-03/alphabet-upsizes-equity-offering-to-85-billion-for-ai-spending